Friday, 29 May 2015

The Fig Tree


Leaving Bethany
where he wept, and raised a friend
in the distant
a fig tree in leaf
si quid forte invenerit in ea
Ev s Marc 11,13

Though rich in foliage
there was no fruit

His sentiment
may none eat from you

The cleansing of The Temple

The fig had withered
but
with faith
a mountain
might be translocated
to
the midst of the sea

What can this mean?

Dunel, G
Men should appreciate their sexe
it confers pleasure

How do I communicate nudity?
How do I receive nudity?
Relaxed communicative
fruitful nakedness
disentangled
from the nudity
illustrated
for well-defined genres
of taste
and demand
foliage without fruit

Monsignor T
conveying The Holy See's
aspiration for
The World Summit
on 
The Information Society

promote human communication
sharing words and images
good communication is
always an
human achievement
in technical emvironments
that are safe
and human-enriching
be attentive to
what you create
promote
and share
the art of listening
to appreciate
human richness

engagement with others
alerts one to basic desires:
to love
to be loved
protection
security
meaning
purpose
shared-concern
for the well being of all
rather than
unbridled competition

But what does
the account of The Fig Tree
signify to me?

The cycle of bearing fruit
had not been violated

The opportunity of a fruitiful persona
in season
and out of season

The flamboyant foliage
was conventional

Fruit out of season
would have symbolised
an
unique fecundity
a
coherent persona

And the withering Fig?

Transmit pleasure
appreciate
deeper attributes
fruitfullness
of personality
in
all situations
of opportunity


Based on

The Gospel in today's Liturgy Nova Vulgata
Dunel, G
Vatican News
The New Jerome Biblical Commentary
Influences of Mei-Rong and Hsieh 2007

Sunday, 24 May 2015

To Explore

Dominica Pentecostes

Today's reflection for the solemnity

prout Spiritus dabit eloqui..

Acta Apostolorum 2,4

as the Spirit gave utterance..

To explore

..To explore misconception and myth..

Mr Stef de Klerk, 2003.

Mr Stef de Kelrk's remark is related to my recent study of Mei-Rong and Hsieh 2007 on gender differences of emotional literacy, taking some fourteen points for closer personal encounter to enlarge my expressive repertoire.

One idea for this exercise: I sketch abstracts from Mr Stef de Klerk's photographs.

Today, Pentecost, eloquence in all expressing, is a gift of the Holy Spirit.

Un perroquet gigantesque

M Gustave FLAUBERT (Un Cœur Simple) paints Félicité's demise

Tous s'agenouillièrent. Il se fit un grand silence. Et les encensoirs allant à pleine volée glissaient sur leurs chaînettes.

Une vapeur d'azur monta dans le chambre de Félicité.. et, quand elle exhala son dernier souffle, elle crut voir, dans les cieux entr'ouverts, un perroquet gigantesque, planant au-dessus de sa tête.

Professeur Jacques BRÉHANT (1907 - 2000) remarked

..la mort est materiéllement la fin de toute communication..

Thanatos. Éditions Robert Laffont, Paris 1976

..death makes material end of all communication..

Professeur BRÉHANT reminds me of the teachers of the Hôtel Dieu de Rouen at the time M FLAUBERT's father M Achille-Cléophas was Chief Surgeon.

To an Adminstrator whose archives of a thousand years I went to view along with selected graves recently, I remarked

..death makes material end of all communication.. In substance, this is quite so, but Archives can bring new life to death and document, to enrich our present.

Google +

I had a notice that JK in the Ivory Coast region had added me to Google+. Thank you.

To explore misconception and myth (Mr Stef de Klerk ut supra); so too, the close of Paschal Time and

..prout Spiritus dabit eloqui..

Acta Apost. ut supra

Monday, 11 May 2015

Siva Icon and My Boyhood

Five Texts

During the past week, five texts have given me enjoyable study
  • A text by Mme Gracia Dunel 
  • The Erotic Mind by Doctor J Morin
  • Professor C Ram-Prasad's review of an Indologist and Sanskrit Scholar's book
  • The US Military Health Notice Mercury on the welfare of women staff
  • Mme Julie Clarini's review in Le Monde des Livres 8 mai

Mme Gracia Dunel

This is an enchanting récit. The original French is rendered by the author herself in English, and for all that, she has afforded readers of English the intimate observations of a French Woman in ways that are positively enriching (WHO Declaration 1974).

Doctor J Morin

On the resources of The Erotic Mind Doctor Morin suggests practical approaches to engaging, more purposefully, the rich osmosis with which individual personal scripts endow life.

Professor C Ram-Das

In the past week's Times Literary Supplement the Professor crafted a measured review of an Indologist and Sanskrit Scholar's opus.

Where does the iconography of Lord Siva settle in the WHO 1974 Declaration?

What is the cultural heritage of an integrated Hindu eroticism à la UNESCO?

Enrich. Enhance. Communicate.

The icon of Lord Shiva in my boyhood was communicated by osmosis.

On the border town, Tibetan, Lepcha, Nepali, Hindu were the principal religious customs. A mélange of smell, sound, taste, colour, squalor, dereliction, neglect, admixed with boyhood sexuality cf Doctor Morin ut supra.

The icon was diffuse, and composed, as the fascia of the over sixty-year old classic Omega Seamaster of my late Mother. As a child, I have gazed on the comforting watchface of this elegant timepiece, that eleoquence cf Mme Dunel ut supra.

The icon was raging in ferocity.

There was a Lord Shiva devotee marked with deep-cadmiun and vermilion symbols, who wandered the main street of the town. He wore a voluminous turmeric raw cotton turban. His stocky neck was begarlanded with enormous tulsi beads.

Pinned to his tunic were framed images of Lord Siva and his cohort of lesser, but equally terrifying deities, and rupee notes of various denominations.

He was well-nourished. His skin was riven from exposure to ultraviolet radiation at high altitudes. His physiognomy was Lepcha, but his demeanour was quite Hindu, presenting an animistic shaman sadhu patina.

This devotee was in a perpetual state of devotional hysteria, as he brandished a trident tipped with scarlet pigment and fabric ribbon fluttering hypnotically. He spat continously, as he rang a bell of Benares brass in counterpoint with the frenetic throb of the damaru, and, to passers-by, especially those in Western dress, he would mutter his expectations: four annas, one rupee, five rupees, hundred rupees, repeating this chant in ever-increasing tempo till it became an undifferentiated purr. The sheer amounts paralaysed a schoolboy's thoughts. The coda of his mutterings, and spitting was the refrain Ootimaha, Ootimaha, as he stamped the menacing trident into the ground clashing its bells and religious tassels, and, to schoolboys, this was his name, which instantly conjured up the terror of his visage.

As we approached the town, once spotted, the schoolboy would alert us all with the cry Ootimaha, la! and, like a pack of jackals, the alarm would be broadcast in full chorus, muddling apprehension even more.

This terrifying personality positioned himself where three main roads converged and led, passing mountains of sale-roti, singhara, peeyajoo, and sweeatmeat in a shop, where a man in a dhoti ladelled the contents of a six-foot diameter cauldron of boiling cooking oil, and on into the lower town and car-stand, and the mela-ground. You could not avoid him.

Heaven help us. Some schoolboys, intoxicated by the lure of terror, would call out a taunt and speed away, leaving others, some blissfully unaware, to face the aroused Lord Shiva devotee, who would fly demented, pirouetting, trident flailing all and sundry, vehemently protesting his Lord Shiva incantations, and spitting in volcanic jets, unchallenged even by the ferocious Tibetan mastifs lurking about the bazar, who skulked away to refuge beneath the tarpaulins of muleteer traders, displacing enormous black pigs who protested with grunts and snorts, adding to the chaos.

For all this, the devotee possessed elegant conviction, however madly expressed. For all his terror and noise, he never uttered an obscenity, at least not an audible one. His sexual probity was unimpeachable, certainly in public.

Like the Indologist and Sanskrit Scholar of Professor Ram-Prasad's review, the Lord Shiva devotee was a trained dancer, and he drew upon his kinæsthetic registers to intensify hysteria and communicate shivaism in its brand, particular, to the trading-route town.

Lord Siva phallo-lingam, and theologico-lingam in psychosexual cultural paradox sat innocuously in my schoolboy mind as I relished a repast of curry, rice, dhal, bhaji, garnishes of pickle and salad, lassi, mango, and vibrant polychrome sweetmeats. A digestif  paan was out of the question because the boarding school staff would spot the evidence, with disciplinary consequences.

No tensions here. Just appetite and icon.

Mercury

It is not irreverent to mention my last but one text, the US Military Health Notice Mercury, which devotes its current issue to the Reproductive, Psychological, and Physical Welfare of Women staff, with special concern for women deployed in unfavourable environments.

The whole report gives me a great appreciation for the philosophy, public health, and operational health to promote the welfare of women, and families in their total life of deployment and civilian setting.

I recalled Mme Dunel's récit ut supra.

Mme Julie Clarini

Mme Clarini concluded her Le Monde des Livres review with this citation 

..comme une signature érotique sur son propre corps..

The icon of Lord Siva has its poly-registers in bustling India, and certainly, colourfully, in my schoolboyhood.

What then is the cultural heritage of an integrated Hindu eroticism for my persona?